As an artist who has always used natural forms as my subject and began my career by painting Rembrandt-like portraits of white roses, my interest in Chaos Theory and fascination with one of its components – fractals – led to a permanent transformation of my artistic vision. To echo William Blake, I see the world in a grain of sand, and heaven in a wild flower, hold infinity in the palm of my hand, and eternity in an hour. My subject is no longer simply a flower. By stripping away the mask of the exterior form and magnifying the image…